behold

Here's a new song I wrote. I premiered it at Catherine's church summer retreat. When I got around to writing the bridge, for some reason it reminded me of the architecture of a typical rave set — which I'd always heard in Christological terms, a sort of gospel of tragedy and triumph — a symbolic death, burial, and resurrection that perfectly fits a praise-and-worship message. So I did an electronic-ish arrangement of it, albeit with the epic stadium guitars of its original Hillsongish pitch.