writing
In modern novelists, we ask for observations of life that ring true, and yet feel fresh. No different from what Alexander Pope wanted when he said that the best writers write "what oft was thought but never so well expressed."
JK Rowling is often praised as a children's writer, and often praised for her explosive action and intricate plotting, but the fact is that she turns in her fair share of fine observation too.
Any writer could say:
But Rowling adds just a few words:
That moment's pressure, and we really feel what it's like to have an owl take off from our arm.
Any writer could describe the dead-tired and emotionally drained group of people sitting around the table as Arthur Weasley lies in the hospital between life and death:
Rowling shows us what those looks between Harry and Sirius feel like:
Could Updike have written that better?
JK Rowling is often praised as a children's writer, and often praised for her explosive action and intricate plotting, but the fact is that she turns in her fair share of fine observation too.
Any writer could say:
'Safe flight, then,' said Harry and he carried her to one of the windows; Hedwig took off into the blindingly bright sky.
But Rowling adds just a few words:
'Safe flight, then,' said Harry and he carried her to one of the windows; with a moment's pressure on his arm, Hedwig took off into the blindingly bright sky.
That moment's pressure, and we really feel what it's like to have an owl take off from our arm.
Any writer could describe the dead-tired and emotionally drained group of people sitting around the table as Arthur Weasley lies in the hospital between life and death:
Fred fell into a doze, his head lolling sideways on to his shoulder. Ginny was curled like a cat on her chair, but her eyes were open; Harry could see them reflecting the firelight. Ron was sitting with his head in his hands, whether awake or asleep it was impossible to tell. Harry and Sirius looked at each other every so often....
Rowling shows us what those looks between Harry and Sirius feel like:
Fred fell into a doze, his head lolling sideways on to his shoulder. Ginny was curled like a cat on her chair, but her eyes were open; Harry could see them reflecting the firelight. Ron was sitting with his head in his hands, whether awake or asleep it was impossible to tell. Harry and Sirius looked at each other every so often, intruders upon the family grief....
Could Updike have written that better?
Comments
All of these examples demonstrate how visceral her writing is. It doesn't just conjure images, it appeals to all of the senses. (The pressure of the owl on Harry's arm, etc.)
Great stuff.
(I came over here from Charlie Johnson's site, by the way. Thanks for your comment there about TheHighCalling.org).
It's not often that I find bloggers comparing Alexander Pope to J. K. Rowling.
Heh! More should, though. Just about every word of his "Essay on Criticism" applies to what people are writing today.
All of these examples demonstrate how visceral her writing is. It doesn't just conjure images, it appeals to all of the senses.
Absolutely. And her other great skill is writing in characters' voices. You could just excerpt any line of dialog from Snape, Dumbledore, McGonagall, Molly, or Voldemort, and anyone could immediately tell you who's speaking, and almost hear the voice. Masterful.
Thanks for your comment there about TheHighCalling.org.
Sooooo, you're the editor, eh? Fine job. Howard's written word is very spoken-word. You're doing a great job preserving his character yourself.
barry